Lin Fengmian 林風眠
The Passion of Christ 基督受難, 1952
Ink and colour on Paper彩墨紙本
68.5x68.5cm
Copyright The Artist
《基督受難》是林風眠的立體主義作品。林風眠在 1949 年發表專文《畢加索與現代藝術》, 展現他對立體派的深入研究。1950年代他隱居上海期間,開始一系列大膽的突破,他的立體主 義風格的靜物、此《基督受難》即創作於此時期。畫作採放射狀構圖,以及透過粗獷的線條、 幾何分割,展現為信仰獻身的基督,正如為藝術獻身的林風眠獨白。 'The Passion of Christ' is a cubist work by Lin Fengmian. Lin Fengmian published a special essay 'Picasso and Modern Art' in 1949, showing...
《基督受難》是林風眠的立體主義作品。林風眠在 1949 年發表專文《畢加索與現代藝術》,
展現他對立體派的深入研究。1950年代他隱居上海期間,開始一系列大膽的突破,他的立體主
義風格的靜物、此《基督受難》即創作於此時期。畫作採放射狀構圖,以及透過粗獷的線條、
幾何分割,展現為信仰獻身的基督,正如為藝術獻身的林風眠獨白。
"The Passion of Christ" is a cubist work by Lin Fengmian. Lin Fengmian published a special essay
"Picasso and Modern Art" in 1949, showing his in-depth research on Cubism. During his seclusion in
Shanghai in the 1950s, he began a series of bold breakthroughs. His Cubist-style still life, "The Passion
of Christ" was created during this period. The painting adopts radial composition, and through rough
lines and geometric divisions, it shows the Christ dedicated to faith, just like Lin Fengmian's monologue
dedicated to art.
展現他對立體派的深入研究。1950年代他隱居上海期間,開始一系列大膽的突破,他的立體主
義風格的靜物、此《基督受難》即創作於此時期。畫作採放射狀構圖,以及透過粗獷的線條、
幾何分割,展現為信仰獻身的基督,正如為藝術獻身的林風眠獨白。
"The Passion of Christ" is a cubist work by Lin Fengmian. Lin Fengmian published a special essay
"Picasso and Modern Art" in 1949, showing his in-depth research on Cubism. During his seclusion in
Shanghai in the 1950s, he began a series of bold breakthroughs. His Cubist-style still life, "The Passion
of Christ" was created during this period. The painting adopts radial composition, and through rough
lines and geometric divisions, it shows the Christ dedicated to faith, just like Lin Fengmian's monologue
dedicated to art.