作品《天地玄黃 》是這幾年繪畫創作中最初在布面上使用丙烯創作的作品，長高3米，也是近幾年我作品中尺幅最大的作品。去年年底有一位策展人邀約我參加明年深圳的一個大型美術館的開館展，展牆高7米。策展人問我：“有沒有大幅作品，越大越好。”以前也想有機會嘗試一下大畫面裡的揮灑一把，所以當下就訂了幾塊畫布崩好。最初準備展覽時，重心主要放在了兩幅六塊與六塊的一組作品上，是去年創作的暖色調“東”、冷色調“西”。一開始的時候很是激動，但卻在畫到一半多的時候看著在大幅尺寸畫面中，難以突圍的氣勢氣場便畫不下去了。困惑中又另外鋪了四塊1米5×1米5的白布框，未想到鋪完四塊白布框後的四塊組合氣勢竟很強大。在前兩組停頓的狀況下開始思考如何構建好這四塊拼好的白布框，保持它的白色氣勢底色上減法來畫。這種難度讓我在感性中更加理性的來控制一切能控制的畫面，色彩及每一道線，極簡中堅持力度與氣勢。分割畫面的方法是我在影像裝置作品中一貫使用的語言和形式。這種分割畫面的語言形式也延續到我後來所有的作品當中。— 金日龍

The work "Baraka" is the first work of acrylic on canvas in the past few years. It is 3 meters long and is the largest piece of work among my work in recent years. At the end of last year, a curator invited me to participate in the opening exhibition of an art museum in Shenzhen. The exhibition wall is 7 meters high. The curator asked me: "Is there any large size artwork, the bigger the better." I wanted to have the opportunity to try the big screen in the past, so I ordered a few pieces of canvas. When I first prepared for the exhibition, the focus was mainly on two pieces of six and six pieces, which are the warm color "East" and the cool color "West" created last year. I was very excited at the beginning, but when I was painting more than half of it, I looked at the large-size picture, and it was difficult to break the momentum. In the confusion, I laid out four white cloth frames of 5x1.5m. Unexpectedly, the combination after the fourth white cloth frames was very powerful. Under the condition of the first two groups of pauses, I began to think about how to construct these four pieces of white cloth. This kind of difficulty makes me more rational in the sensibility to control all the images that can be controlled, the color and each line, and insist on strength and momentum in minimalism. The method of dividing the picture is the language and form that I have consistently used in the image installation. The form of this split picture continues into all of my later works. – Jin Rilong