Alixe Fu 傅慶豊
烏鴉麥田 A flignt of Crows Vol de corbeaux, 1991 - 1992
Oil on canvas
130 x 195 cm
76 3/4 x 51 1/8 in
76 3/4 x 51 1/8 in
稻草人十字架系列 (1991-1993) 巴黎西北郊的Auvers-sur-Oise(梵谷村)風光優美，是梵谷生前死後的最後宿地。1991年9月傅慶豊進駐梵谷村國家畫室，畫家/藝評家陳英德在＂展現想像與表現的傅慶豊繪畫＂文章????說「他的人物由較封閉的空間走向開敞的大地。我們見到流煙一般的人舞動在金色的麥田和遼闊的地平線上，麥田上的鴉群、稻草人⋯驚走飛禽的稻草人與神的化身十字架結合成新的創作意象，給人一種生與死的多重聯想。他之前帶有扭曲的表現主義形象在這時演畫成簡化的造型⋯」 Scarecrow Cross Series (1991-1993) The Auvers-sur-Oise (Van Gogh Village) in the northwestern suburbs of Paris has beautiful scenery and is the last destination Van Gogh lived. In...
稻草人十字架系列 (1991-1993) 巴黎西北郊的Auvers-sur-Oise(梵谷村)風光優美，是梵谷生前死後的最後宿地。1991年9月傅慶豊進駐梵谷村國家畫室，畫家/藝評家陳英德在＂展現想像與表現的傅慶豊繪畫＂文章????說「他的人物由較封閉的空間走向開敞的大地。我們見到流煙一般的人舞動在金色的麥田和遼闊的地平線上，麥田上的鴉群、稻草人⋯驚走飛禽的稻草人與神的化身十字架結合成新的創作意象，給人一種生與死的多重聯想。他之前帶有扭曲的表現主義形象在這時演畫成簡化的造型⋯」
Scarecrow Cross Series (1991-1993) The Auvers-sur-Oise (Van Gogh Village) in the northwestern suburbs of Paris has beautiful scenery and is the last destination Van Gogh lived. In September 1991, Fu entered the National Studio of Van Gogh Village. Painter/art critics Chen Yingde said in the article "Fu's paintings show imagination and performance", “Characters are moving from a relatively closed space to open land. Seeing the smoky people dancing in the golden wheat fields and the vast horizon, the crows on the wheat fields, the scarecrow… the birds and the incarnation of the god combine to form a new creative image, giving an image associated with life and death. His previously distorted expressionist image was portrayed in a simplified form at this time."
Scarecrow Cross Series (1991-1993) The Auvers-sur-Oise (Van Gogh Village) in the northwestern suburbs of Paris has beautiful scenery and is the last destination Van Gogh lived. In September 1991, Fu entered the National Studio of Van Gogh Village. Painter/art critics Chen Yingde said in the article "Fu's paintings show imagination and performance", “Characters are moving from a relatively closed space to open land. Seeing the smoky people dancing in the golden wheat fields and the vast horizon, the crows on the wheat fields, the scarecrow… the birds and the incarnation of the god combine to form a new creative image, giving an image associated with life and death. His previously distorted expressionist image was portrayed in a simplified form at this time."