藝術家運用繪畫的各種顏料,包括水墨、丙烯顏料等,加上工作室里隨手可得的各種雕塑工具,在紙張上藉由各種磨、擦、塗、撕、抹、畫等動作,去捕捉他心中的意念與造型,以介於雕塑與繪畫「之間」的藝術形式呈現,他稱之為「紙上操作」。 作品中左右邊以簡單線條表現的小屋呼應著中間留白的房子,背面有觸弧度的密集線條像是一抹煙霞,籠罩著小屋。 Lai used different painting medium and tools, including ink and acrylic, to draw, rub, brush, tear on the paper, capturing his thoughts. The concept of 'between' is shown...
藝術家運用繪畫的各種顏料,包括水墨、丙烯顏料等,加上工作室里隨手可得的各種雕塑工具,在紙張上藉由各種磨、擦、塗、撕、抹、畫等動作,去捕捉他心中的意念與造型,以介於雕塑與繪畫「之間」的藝術形式呈現,他稱之為「紙上操作」。 作品中左右邊以簡單線條表現的小屋呼應著中間留白的房子,背面有觸弧度的密集線條像是一抹煙霞,籠罩著小屋。 Lai used different painting medium and tools, including ink and acrylic, to draw, rub, brush, tear on the paper, capturing his thoughts. The concept of "between" is shown through the art form of sculpture and painting, which he called the works as "operations on the paper”. Two simple line drawings of houses on the left and right sides echo with the white house in the middle, and the arc-shaped dense lines are like a haze, covering the houses.