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黎志文

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Lai Chi Man 黎志文, 蜻蜓 Dragonfly , 1975

Lai Chi Man 黎志文

蜻蜓 Dragonfly , 1975
Stalactite
44 x 24 x 26 cm
9 1/2 x 10 1/4 x 17 3/8 in
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作品“蜻蜓”石雕是藝術家早年在義大利石雕工作室,研究用中國象形文字的方式去創作的一件作品。中國造字六書「象形」方法是將事物用簡單的線條繪畫出其主要特徵,例如:魚、牛、馬等字,將複習的形體以簡單化表現,如現代繪畫中的抽象概念。而在雕刻這主體蜻蜓時,使刻意將它的尾巴部份特別強調。 This stone carving was a work in the stone carving studio of Italy in the early years to study the use of Chinese hieroglyphics. The 'pictographs' method of the...
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作品“蜻蜓”石雕是藝術家早年在義大利石雕工作室,研究用中國象形文字的方式去創作的一件作品。中國造字六書「象形」方法是將事物用簡單的線條繪畫出其主要特徵,例如:魚、牛、馬等字,將複習的形體以簡單化表現,如現代繪畫中的抽象概念。而在雕刻這主體蜻蜓時,使刻意將它的尾巴部份特別強調。

This stone carving was a work in the stone carving studio of Italy in the early years to study the use of Chinese hieroglyphics. The "pictographs" method of the Chinese character ‘Six Writings’ is to draw things with simple lines, such as fish, cows, horses, etc., to simplify the form and structure, such as the abstract concept in modern painting. When engraving this subject, it makes a special emphasis on its tail part.
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