“我的畫作，通常都以線條開啟自由的塗畫，繼而在預設的時間節點採用單色將畫面 ‘覆蓋’，在被‘覆蓋’的層面繼續新一輪的塗畫，清晰的線條又被另一種單色再次 ‘覆蓋’，如此這般周而復始、往復循環。作品時刻處於未完成和重新開始的狀態， 無論畫面看起來如何完美，都存在被‘覆蓋’的可能。每一次對完美畫面毀滅性的 ‘覆蓋’，都是一次對自我內心極限的挑戰，使不斷‘破壞’的過程體驗成為我繪畫 的核心。”

“I usually use lines and stripes to start the free creation in my painting, and then apply monochrome with the ‘overspread’ technique at the pre-set time. Continuing a new painting on the layer of being ‘overspread’, the clear lines are ‘overspread’ by another monochrome again, and all is in a cycle. The artwork is in an unfinished and restarted state at all times, no matter how perfect it looks, there is always a possibility of being ‘overspread’.
Every destructive ‘overspread’ of the perfect layer is a challenge to me, making the process of continuous ‘destruction’ becomes the core of my painting.”