Tan Ping 譚平
Untitled 無題, 1/10, 1990
Etching
52 x 31 cm
Copyright The Artist
“有物象的畫面中心是一幅畫作的重鎮，這是無需贅述的通識，而把關注點轉向對畫 面邊緣的關注則並不平常。我意識到，從中心走向邊緣，就是一個消隱物象的過程， 是由關注物像到注重事物與事物之間關係的轉換。” “A center depicted with object is the core of a painting. This is a general knowledge that does not need to be elaborated, and it is not...
“有物象的畫面中心是一幅畫作的重鎮，這是無需贅述的通識，而把關注點轉向對畫 面邊緣的關注則並不平常。我意識到，從中心走向邊緣，就是一個消隱物象的過程， 是由關注物像到注重事物與事物之間關係的轉換。”
“A center depicted with object is the core of a painting. This is a general knowledge that does not need to be elaborated, and it is not common to shift the focus to the edge. I realized that moving from the center to the edge is a process of obscuring the object, which is the transformation from focusing on the object to the relationship between things.”
“A center depicted with object is the core of a painting. This is a general knowledge that does not need to be elaborated, and it is not common to shift the focus to the edge. I realized that moving from the center to the edge is a process of obscuring the object, which is the transformation from focusing on the object to the relationship between things.”