• 1949 born in Hong Kong
  • 1973 graduated from the sculpture department of the National Taiwan Academy of Arts.
  • 1980 received M.F.A. degree from University of Wyoming, US
  • Currently lives and works in Fujian, China, Hong Kong, and Taiwan.

 

He later traveled to Italy where he practiced sculpture at Henraux Studio in Carrara, which is famous for its quarries and sculptures. During this time, Lai had the opportunity to work alongside Henry Moore, Isamu Noguchi, and Pietro Cascella. After four years in Italy, he received a fellowship to further his education in Wyoming under the sculptor, Robert Russin. In 1980, he received his M.F.A degree in sculpture from the University of Wyoming. During this period, he married Paulien. In 1982, he was admitted as a member of the Beeldende Kunstenaars Regeling (the first government-sponsored fund for artists in the Netherlands).

 

In 1984, he was invited by Taipei University of the Arts, where he taught in the Fine Arts Department for more than 30 years. Having experienced life in Hong Kong, Italy, the United States, the Netherlands, and Taiwan, Lai was able to foster a rich and diverse perspective on aestheticism. This kind of background gave him a multicultural worldview. Eventually, Lai Chi Man returned back to oriental culture to look for identity, and neutralized the conflict between Chinese traditional aesthetics and modern abstract concepts by breaking the dichotomy fallacy between realism and abstractionism, and experiment and tradition. While comprehending the differences between China and western civilisation, he neutralised the conflict between Chinese traditional aesthetics and modern abstract concepts by breaking the dichotomy fallacy between realism and abstractionism, experiment and tradition. He uses the principles of Chinese lexicography, such as "pictograph" and "compound ideograph" of the six categories as the concept and extended to the philosophy of life, view of natural and their relationship in the society nowadays. Lai expresses his feelings and thoughts through lines and shapes in sculpture and on paper, giving people endless imagination.

 

Lai Chi Man believes in the power of nature. Thus, he chooses natural materials in creation. Stone, as a part of nature, is a precious heritage of ancient civilization; The creation should not be a waste of resources, but a method to preserve resources. Through applying materials like stone, rope, and rice etc., he achieves his own balance with nature. Lai declares, “Over the past thirty years, I have been constantly exploring and developing an artistic vocabulary. This echoes the evolution and depth of mankind's harmonic coexistence with nature. The roots for this resulting sculptural vocabulary can be traced to the six ways of constructing Chinese characters, whose forms echo the cultural virtues of an ancient tradition and reflect the essence of Eastern thought. Through such an approach, I contemplate Eastern philosophies regarding the relationships amongst mankind and nature. And, throughout the creative process, I use pictographs and meanings similar to those found in Chinese characters to express a message that transcends culture and communicates universal values.”

 

In 1989, he presided over Taiwan's first international sculpture workshop in Tainan City, during which he promoted public art legislation in Taiwan. He had important exhibitions in many countries and regions including Netherlands, Japan, Singapore, Taiwan and Hong Kong. Lai participated in different public art creations, artworks are exhibited in different public areas in China, Taiwan, and Hong Kong including schools, court, and outdoor areas of museums. Lai is warmly welcomed and recognized by the international art field and he was the first contracted artist of Taiwan Eslite Gallery. His artworks were collected by series of important art institutions such as Dutch National BKR visual arts organizations, University of Wyoming Art Museum, Taipei Fine Arts Museum and Japan Hara Museum.

 


Main Awards

2006

The First Public Art Award, Council for Cultural Planning and Development, R.O.C.

1993

First Prize in the Open Competition in stone sculpture "Great Commonwealth of Peace and Prosperity", Council for Cultural Planning and Development, R.O.C.

1985

The Grand Prize at the First R.O.C. Sculpture Exhibition, Taipei Fine Arts Museum, R.O.C.

 


EXHIBITIONS  |  EVENTS  |  ART FAIRS

SOLO EXHIBITION

2020

Bountiful Journey【Relaxing is an option-Solo Exhibition】-Taipei, Taiwan

Amanda Wei Gallery【Chill Out!】-Hong Kong

 

2018

Longmen Art Projects【Harmony, 2018 Sculpture Exhibition of Lai Chi Man】-Shanghai, China

 

2016

ArtDoor Taipei【Oneiric Subjectivity-Solo Exhibition】-Taipei, Taiwan

PiaoPiao Art Space【Solo Exhibition featuring - Sketch Collection of Lai Chi Man】-Taipei, Taiwan

 

2013

Beyond Gallery【Sculpture Exhibition】-Taipei, Taiwan

ArtDoor Taipei【Between Nature and Mind-Solo Exhibition】-Taipei, Taiwan

 

2012

Pema Lamo Gallery【Sculpture Drawings 1990-2012: Lai Chi-Man Solo Exhibition】-Taipei, Taiwan

 

2011

Beyond Gallery【Human and Nature】-Taipei, Taiwan

 

2010

Taiyu Beaux Arts Salon【Lai Chi Man Solo exhibition】-JiaYi, Taiwan

 

2008

Taiyu Beaux Arts Salon【Solo exhibition】-JiaYi, Taiwan

Beyond Gallery【Work on Paper-Solo Exhibition】-Taipei, Taiwan

 

2005

Modern Art Gallery【Virtual and RealSculpture Exhibition by Lai Chi Man】-Taichung, Taiwan

 

2004

IT Park【Solo exhibition】-Taipei, Taiwan

Huashan Creative Park【Tension in the Space】-Taipei, Taiwan

 

1999

HsinChu Cultural Center【Solo exhibition】-Hsinchu County, Taiwan

 

1998

Dimension Art Center【Solo exhibition】-Taipei and Taichung, Taiwan

 

1997

Galerie Pierre【Solo exhibition】-Taichung, Taiwan

 

1994

Eslite Gallery【Solo exhibition】-Taipei, Taiwan

 

1992

Eslite Gallery【Solo exhibition】-Taipei, Taiwan

 

1991

Contemporary Gallery【Solo exhibition】-Taichung, Taiwan

 

1989

Eslite Gallery【Solo exhibition】-Taipei, Taiwan

 

1987

China Culture Promotion Center【Solo exhibition】-Hong Kong

 

1986

Spring Gallery【Solo exhibition】-Taipei, Taiwan

 

1985

Ming Men Gallery【Solo exhibition】-Taichung, Taiwan

 

1982

Etten Leur de Nobelaer【Solo exhibition】-Holland

 

1977

234 Gallery of University of Wyoming【Solo exhibition】-US

Gallery D'eendt【Solo exhibition】-Amsterdam, Holland

 

GROUP EXHIBITIONS

2020

Ask Art Space【The Other Realm】-Taipei, Taiwan

ARTDOOR【INFINITE WHITE】-Taipei, Taiwan

 

2019

IT Park【Sui Generis: Jing-Pai of Taiwan Part II】-Taipei, Taiwan

 

2012

Taipei Fine Art Museum【Formless Form, Taiwan Abstract Painting】-Taipei, Taiwan

 Kuandu Museum of Fine Arts【Production of Senses 】-Taipei, Taiwan

 

2008

【International Sculpture Exhibition】-Aglie, Italy

 

2005

Aichi Prefectural Museum of Art【Potential Power of Asia】-Aichi, Nagoya, Japan

 

2003

IT Park【Discourses on Love: 64 Conversations in SARS' Era】-Taipei, Taiwan

 

1999

IT Park【Work on Paper-Group Exhibition】-Taipei, Taiwan

Volume & Form Singapore 1999 Sculpture Exhibition】-Singapore

 

1998

Kaohsiung Museum of Fine ArtsKaohsiung International Sculpture Festival】-Kaohsiung, Taiwan

National Cheng Kung UniversityOutdoor Sculpture Exhibition】-Tainan, Taiwan

Fu Pang Art FoundationThe Little Dining Car of Arts】-Taipei, Taiwan

Yuzi Paradise International Sculpture Symposium-Guilin, China