Lai Chi Man 黎志文
紅葉樹苗 Sapling with Red Leaves, 2013
紙.丙烯、水彩與鉛筆
Acrylic, Watercolour and Pencil on Paper
Acrylic, Watercolour and Pencil on Paper
50 x 69 cm
「紅葉樹苗」繼承了黎志文一貫的「象形」概念，含蓄訴說其雕塑創作的靈感來源，呼應著雕塑作品「芽」。 綠莖與紅葉生動地表現出植物茁壯生長，充滿著活力和生命力。 Lai took the principle of Chinese lexicography “pictograph” in “Sapling with Red Leaves”, which is the simplified expression of complicated form, implicitly tells the source of inspiration for...
「紅葉樹苗」繼承了黎志文一貫的「象形」概念，含蓄訴說其雕塑創作的靈感來源，呼應著雕塑作品「芽」。
綠莖與紅葉生動地表現出植物茁壯生長，充滿著活力和生命力。
Lai took the principle of Chinese lexicography “pictograph” in “Sapling with Red Leaves”, which is the simplified expression of complicated form, implicitly tells the source of inspiration for his sculpture creation. This artwork echoes with the sculpture “Sprout”.
The green stems and red leaves show that the plant is growing vigorously, full of vitality and liveliness.
綠莖與紅葉生動地表現出植物茁壯生長，充滿著活力和生命力。
Lai took the principle of Chinese lexicography “pictograph” in “Sapling with Red Leaves”, which is the simplified expression of complicated form, implicitly tells the source of inspiration for his sculpture creation. This artwork echoes with the sculpture “Sprout”.
The green stems and red leaves show that the plant is growing vigorously, full of vitality and liveliness.