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Lai Chi Man 黎志文
穿透的造型 Penetrable Modelling, 2014
紙.丙烯
Acrylic on Paper
Acrylic on Paper
79 x 110 cm
藝術家以丙烯顏料,利用筆觸及鋪色技巧營造中國寫意水墨畫的感覺和抽象的形狀,體現中和中國傳統美學與現代抽象理念的衝突。 幾何形狀組成的圖形與像漩渦的圓形分別以半透的綠色和紅色顏料暈染,兩者稍微重疊起來,互相連繫著。 The artist used acrylic paint, brushstrokes and coloring technique, created the feeling of Chinese brush painting. It falls between Chinese traditional aesthetics and modern abstractionism. The artwork is...
藝術家以丙烯顏料,利用筆觸及鋪色技巧營造中國寫意水墨畫的感覺和抽象的形狀,體現中和中國傳統美學與現代抽象理念的衝突。
幾何形狀組成的圖形與像漩渦的圓形分別以半透的綠色和紅色顏料暈染,兩者稍微重疊起來,互相連繫著。
The artist used acrylic paint, brushstrokes and coloring technique, created the feeling of Chinese brush painting. It falls between Chinese traditional aesthetics and modern abstractionism.
The artwork is composed of geometric shapes and the circle like a vortex, smudged with semi-transparent green and red paints. The two overlap slightly and are connected to each other.
幾何形狀組成的圖形與像漩渦的圓形分別以半透的綠色和紅色顏料暈染,兩者稍微重疊起來,互相連繫著。
The artist used acrylic paint, brushstrokes and coloring technique, created the feeling of Chinese brush painting. It falls between Chinese traditional aesthetics and modern abstractionism.
The artwork is composed of geometric shapes and the circle like a vortex, smudged with semi-transparent green and red paints. The two overlap slightly and are connected to each other.