Alixe Fu 傅慶豊
後仰前看, 2008
Oil on canvas
80 x 100 cm
39 3/8 x 31 1/2 in
39 3/8 x 31 1/2 in
植物人動物人系列(1997～)， 幸虧有伴，史上最強的對手竟然是自己！ 為了製作Sign Me雕塑，同時準備2008年台北個展，除了巴黎外，2007～2008兩年也在北京和台北工作，好像挑戰不可能的任務。這時期台北完成的油畫作品表現直觀、通透、反轉又誇張的表現。就如“後仰前看”作品。 Plante-Homme, Homme-Animal Series (1997~), Luckily, I have company, the strongest opponent in the history is myself! In order to make the “Sign Me” sculptures and prepare...
植物人動物人系列(1997～)，
幸虧有伴，史上最強的對手竟然是自己！
為了製作Sign Me雕塑，同時準備2008年台北個展，除了巴黎外，2007～2008兩年也在北京和台北工作，好像挑戰不可能的任務。這時期台北完成的油畫作品表現直觀、通透、反轉又誇張的表現。就如“後仰前看”作品。
Plante-Homme, Homme-Animal Series (1997~),
Luckily, I have company, the strongest opponent in the history is myself!
In order to make the “Sign Me” sculptures and prepare for the solo exhibition in Taipei in 2008, besides Paris, I also worked in Beijing and Taipei in 2007-2008, which seemed like taking a challenge of the mission impossible. The oil paintings completed in Taipei during this period are intuitive, transparent, reversed and exaggerated, like "Supine and Looked Forward ".
幸虧有伴，史上最強的對手竟然是自己！
為了製作Sign Me雕塑，同時準備2008年台北個展，除了巴黎外，2007～2008兩年也在北京和台北工作，好像挑戰不可能的任務。這時期台北完成的油畫作品表現直觀、通透、反轉又誇張的表現。就如“後仰前看”作品。
Plante-Homme, Homme-Animal Series (1997~),
Luckily, I have company, the strongest opponent in the history is myself!
In order to make the “Sign Me” sculptures and prepare for the solo exhibition in Taipei in 2008, besides Paris, I also worked in Beijing and Taipei in 2007-2008, which seemed like taking a challenge of the mission impossible. The oil paintings completed in Taipei during this period are intuitive, transparent, reversed and exaggerated, like "Supine and Looked Forward ".