Alixe Fu 傅慶豊
戲班子 Acting Group, 2018
Oil on canvas
19 x 27 cm
植物人動物人系列(1997～)， 越來越覺得佩戴面具比直接露臉表現得更加淋漓盡致。 受到歐美的表現主義和壞畫潮流影響，1985年傅庆豊首次發表繪畫的隨機性和可變性[遊戲系列]，三十幾年歷經不同時期創作經驗和現實面的藝術事業挑戰，傅庆豊自述「藝術是我人生寫照，有好多次搞不下去只選擇自我毀滅，而每次都奇跡般的倖存下來！」 Plante-Homme, Homme-Animal Series (1997~), Feeling more expressive to wear a mask than show your face. Affected by the expressionism and bad painting trends from Europe and the...
植物人動物人系列(1997～)，
越來越覺得佩戴面具比直接露臉表現得更加淋漓盡致。
受到歐美的表現主義和壞畫潮流影響，1985年傅庆豊首次發表繪畫的隨機性和可變性[遊戲系列]，三十幾年歷經不同時期創作經驗和現實面的藝術事業挑戰，傅庆豊自述「藝術是我人生寫照，有好多次搞不下去只選擇自我毀滅，而每次都奇跡般的倖存下來！」
Plante-Homme, Homme-Animal Series (1997~),
Feeling more expressive to wear a mask than show your face.
Affected by the expressionism and bad painting trends from Europe and the United States, in 1985 Alixe Fu published for the first time the “Game series”, presenting the randomness and variability of painting. After 30 years of different times in creation experience and facing the challenges in art career in the reality, Fu said "Art reflects my life, there are many times I cannot keep going but choose self-destruction, but miraculously survived every time!"
越來越覺得佩戴面具比直接露臉表現得更加淋漓盡致。
受到歐美的表現主義和壞畫潮流影響，1985年傅庆豊首次發表繪畫的隨機性和可變性[遊戲系列]，三十幾年歷經不同時期創作經驗和現實面的藝術事業挑戰，傅庆豊自述「藝術是我人生寫照，有好多次搞不下去只選擇自我毀滅，而每次都奇跡般的倖存下來！」
Plante-Homme, Homme-Animal Series (1997~),
Feeling more expressive to wear a mask than show your face.
Affected by the expressionism and bad painting trends from Europe and the United States, in 1985 Alixe Fu published for the first time the “Game series”, presenting the randomness and variability of painting. After 30 years of different times in creation experience and facing the challenges in art career in the reality, Fu said "Art reflects my life, there are many times I cannot keep going but choose self-destruction, but miraculously survived every time!"