Since the 1990s Liu Shih-tung has been exploring a variety of different creative forms with a powerfully experimental character through large-scale installation art, such as his “Extreme Mother,” an enormous bright yellow inflatable doll placed beneath the Guandu Bridge over the Tamsui River; or his “Beast of Good Fortune,” a large installation piece fashioned from the structure of an automobile.

 

The process of these ongoing deconstructions and reassemblies of the vocabulary of various media was summarized in stages at Liu’s 2001 solo exhibition “Neon Light, Flash, Flash, Flash” at the Taipei Fine Arts Museum. The works presented in that exhibition largely combined a variety of media, arranging and reorganizing the symbolic imagery to form a collage of his creative keynotes over the recent preceding years.

 

Liu’s collage works are full of a richness and vibrancy, using visual techniques such as placement, dissociation and amalgamation to create a painting-like space of ambiguous symbolic relationships and interwoven connotations. Scrutinizing his works, the observer will find within varying paper textures, densities, colorings and printing techniques that produce subtle variations amongst these fragmentary images in terms of shading, depth and textures as well as the artist’s conscious effort to orchestrate space and dimensions of the images through arrangement of the pigment substrates, presenting a sense of experiential beauty unlike that of the uniformity of digital imagery. In other words, even if the operative logic behind this cut and paste game is based upon the same simple concept as the similar “layering,” the handcrafted production ensures that the image fragments are interrelated, maintaining the previous “object to object” relationship and not purely on the level of interweaving the visual symbolism into the milieu.

 

The extemporaneous development of the images of these works reveals that Liu’s mode of creation is somewhat like a game. Liu has previously stated: “I think making a game out of creativity is a pretty good method because only when a person is in a relatively relaxed state are they really able to that part of themselves which is real … For me, those parts of my body that come in closest contact with the work, like my hands, the more relaxed the better.”

 

Liu’s works exhibit an orderly composition that straddles the line between the warmth of the tactile and paper based imagery. It’s an effect that demands exclusive focus, enormous patience and meticulous effort to produce and amid the layered, conjoined/separated and randomly strewn images can be discerned the very rhythms of the artist’s breathing and adjusting of his body posture.

 

EXHIBITIONS  |  EVENTS  |  ART FAIRS

 

2018

Kaleido, Amanda Wei Gallery, Hong Kong

 

2016

The Magic of Nature: Digital Interaction with Artworks, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Boundless visions: New Acquisitions from the Permanent Collection, Taipei Fine Arts Museum, Taipei, Taiwan
Cre8tive report, OCI Museum of Art Residency, Seoul, South Korea

 

2014

Micro-Nature, The Pier-2 Art Center, Kaohsiung, Taiwan
The Pioneers of Taiwanese Artists, 1961~1970, National Taiwan Museum of Fine Arts, Taichung, Taiwan
Year of the Horse Joint Exhibition, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

 

2015

The Passeur, Lin & Lin Gallery, Taipei, Taiwan

 

2013

Polysemy, Lin & Lin Gallery, Taipei, Taiwan
Re-See ─ Dialogues Between Artists and Collection, Art 8, Taipei, Taiwan
2013 New Taipei City Arts Festival, 435 Art Zone, New Taipei City, Taiwan
Flora­- the Dazzling World Permanent Collection of TFAM, Taipei Fine Arts Museum, Taipei, Taiwan

 

2012

Manifestation of Homunculi, Kuandu Museum of Fine Arts, Taipei, Taiwan
Time Games, Contemporary Appropriations of the Past, Taipei Fine Arts Museum, Taipei, Taiwan

 

2011

Shih-Tung Liu, Morishita Studio, Tokyo, Japan
Breeze: The Landscapes of Liu Shih-Tung, Lin & Lin Gallery, Taipei, Taiwan
Intimate Views, Lin & Lin Gallery, Taipei, Taiwan
The Uncertain Gravity of Being, Gallery 100, Taipei, Taiwan
Art Revolution Taipei 2011, Taipei World Trade Center, Taipei, Taiwan
Momentum, Lin & Lin Gallery, Beijing, China
Art Stage Singapore 2011, Marina Bay Sands, Exhibition & Convention Centre, Singapore

 

2010

Drifting Images, National Central University Art Center, Taoyuan, Taiwan
Bright Eye, 18th Street Art Center, Los Angeles, USA
The WAY is not merely between two points, Lin & Lin Gallery, Taipei, Taiwan
Yes Taiwan-Taiwan Biennial 2010, National Taiwan Museum of Fine Art, Taichung, Taiwan
Contemporary Taiwan Art Raise, Lin & Lin Gallery, Taipei, Taiwan
Behind the Visible, Lin & Lin Gallery, Taipei, Taiwan

 

2009 

Start.Eyes, Main Trend Gallery, Taipei, Taiwan
Dream in a Contemporary Secret Garden, New York Taipei Cultural Center, New York, USA
Entersite, Yuan Ze University Art Center, Taiwan

 

2008

ART TRASH? INART SPACE, TAINAN, TAIWAN
A KALEIDOSCOPIC VIEW: REINTERPRETATIONS OF TAIWANESE FOLK IMAGES AND DESIGN, KAOHSIUNG MUSEUM OF FINE ARTS, KAOHSIUNG, TAIWAN
VERY FUN PARK, EAST REGION, TAIPEI, TAIWAN

 

2007

Play-Solo Exhibition by Liu Shih-Tung, Main Trend Gallery, Taipei, Taiwan